Tag: movies

On the Phantoscope Film Festival in Richmond

I'm retroactively (for 2009) and proactively (for 2010) spreading the word about the Phantoscope Film Festival that just concluded its third year here in Richmond at the Art Museum.  It's an event that is just absolutely phenomenal to be happening right here in town, but that is sadly under-promoted and under-appreciated locally.

Every year, high school students around Indiana are encouraged to submit their films for judging and showing at the festival.  The top ten or so films are selected by a panel of judges, and then shown at the screening night (which was tonight).  Before the screening is a panel discussion with professional filmmakers and those involved in the film industry.

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Links for the Week - May 20, 2008

These "links for the week" posts are a lame substitute for real blog posts, but I hope you enjoy them anyway. I'm working on some other entries about my experience with "power off day," my preferred task list organization system (it's NOT GTD), the difficulties of personal change in a vacuum, and more on media coverage of energy prices - so stay tuned. But for now:

The Golden Compass Movie: The Wrong Direction

In September, I suggested that the new movie The Golden Compass might be worth a see based on the adventureful book by Philip Pullman, which I'd just finished. I would now like to retract that recommendation, and replace it with a new one: avoid The Golden Compass movie at all costs.

It was poorly written, poorly directed, poorly acted, and poorly edited. The dialogue was fluffy and cheesy and delivered with little authenticity. The cutting of the scenes almost made you wonder if they'd randomized their order and lost a bunch of footage along the way. The story barely made any sense to me and I just finished the book a few months ago - I pity anyone who came in off the street wondering what it was about, even with the artificial backstory narrative at the beginning. The action scenes were boring and confusing. And so on.

The one redeeming quality was the computer-generated graphics work that brought the characters` "daemons" - animal manifestations of one's soul that travel alongside - to life. It was integrated very smoothly into the action and some of the detail and nuance was excellent.

But that was not enough to save this sinking ship - The Golden Compass is an unfortunate mangling of a perfectly good story, and a total bomb of a movie.

No End In Sight to the Assault on Reason

IMG_2518.JPGThe tail end of the trip I just returned from took place in Nashville, TN and was charged with readings and viewings about the occupation of Iraq and the current political trends in Washington: I finished reading Nashville resident Al Gore's book The Assault on Reason and then later the same day, saw the new documentary film No End In Sight. The two tie together nicely, and so I have a review of them both here.

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Security strategy improvement lessons from 28 Weeks Later

As you're coming out of the movie 28 Weeks Later, you might be tempted to discuss the horrors of the events in the movie, the acting, the overwhelmingly and unnecessarily bloody gore, or the architecture in the London skyline. But I think we can all agree that the movie was, above all, a lesson in military and security strategy and a warning to future operations planners (especially those dealing with infectious viral outbreaks that turn people into flesh-eating zombies).

I know it will seem pretty far fetched and hard to picture in real life, but here are some of the salient events in the plot (spoiler alert!):
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Bits and pieces from a busy few days

Some bits and pieces from life right now: I'm really proud of the RNR podcast episode from last night, even though I was tired enough that my production quality wasn't what it usually is and I mispronounced some names. But it's been an emotionally charged week and it was an emotionally charged evening, so I think the episode reflects that.

Thanks to the folks at PhilQuinnForCouncil.com for linking here so prominently on the site. Of course, as much as I like and admire Phil, please know that I have not (nor do I plan to) endorsed any local political candidates here. I do wish them all the best in fulfilling the promise of the democratic process.

If you haven't already, you can head on over to GetWellJoe.com, a site I set up for Joe Augustin after he was assaulted earlier this week. The technical details are mundane compared to what Joe is going through, but it was a strange experience going from scratch to a full-blown weblog with hundreds of visitors and comments pouring in in a matter of an hour or two. Thanks to all the people who are holding Joe up now and keeping each other posted on his progress.

In a little bit, I'm heading out to IU East to help unveil the preview and website for the new documentary being produced here, 1:47. I'm at Summersault right now working with my team on the final prep for actually making the new site live, so you can check that out shortly. I haven't gotten to do as much lately with video production as I would like, so it's at least rewarding to be peripherally involved in a project where some really great production work is being done.

Have a good weekend.

The Pursuit of Happyness, a movie review

In a near coma from a holiday meal today, we ventured out to see The Pursuit of Happyness starring Will Smith. My resulting notes below contain some mentions of specific plot details, so if you haven't seen it yet and don't want anything spoiled for you, come back to this post later.

As a cinematic experience overall, the movie was quite well done. Smith and Jaden Smith (his son both in the film and offscreen) filled their roles as Chris Gardner and Christopher Gardner with a glow and depth that is uncommon. The story moved at a constant and engaging pace, always with just enough information to make the plot real, and never too much to make it feel like it was being told to a movie audience. The camera angles were mostly plain and obvious in a way that complements the content of the film just fine, but there were a number of really excellent shots that brought out the layers of emotion and determination so well - Chris and Christopher sitting a ways apart on a bench in the subway, exasperated, desperate, staring off and wondering what's next; the shots of Chris running through the streets of San Francisco with action-movie style camera-work but very believable results; the walks through the floor of a brokerage in chaos, and so on.
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The Persuaders: a nice look at advertising

This is an ad for a really great Frontline episode called "The Persauders" - a thoughtful and thorough journalistic look at the world of advertising and how it affects us at all levels. It covered a wide variety of perspectives, from advertising executives to media experts to sociologists to counter-cultural ad-busters. Quote from interviewee Mark Crispin Miller: "Once a culture becomes entirely advertising friendly, it ceases to be a culture at all." There's an interesting segment about how one firm interviewed cult-like groups of people (including Linux users and WWF Wresting fans) to craft the campaigns for brands like Nike and Apple. I guess if you can figure out what makes people loyal to a cult, you can get them engaged in your products and services.

The downside of the piece is that the reporter seems to let himself be convinced in conclusion (with snappy upbeat music in the background to reinforce) it's a good thing that "once the market becomes the lens through which we see the world, there's no us and them any more. We're all persuaders." I would probably disagree that this is a good trend.

You can watch it online on the PBS website, and the site includes a teacher's guide and related discussion area. Enjoy.

My Tube is Your Tube on YouTube

I remember back in the day (i.e. a few years ago), when you wanted to put video on your website, you needed to think about disk space, bandwidth, media format compatibility and a host of other issues before you could even hope to have people looking at the actual video content. Today, sites like YouTube and Google Video (soon to be one) make it as easy as uploading your video to their site and then linking to it. And as Jean Harper sort of noted (lamented, really), it's quite the craze with the kids.

So (or, despite that), I decided to throw up a few videos I've produced over the years to see what happens. There's my trip to Washington D.C. to ask the president not to invade Iraq, highlights from a conference on cultural change that I organized, a clip from an inspiring talk about peak oil, and highlights from the raising of a wind turbine at the Cope Environmental Center, which I've mentioned here before. These were shot with everything from a digital still camera to my GL-2 MiniDV rig, so the quality varies widely, but I've already generated 1 subscriber to my "channel", 49 views of my videos, and a comment. I love web-based social networking!

Let me know what you think.

Why I won't be seeing the new Borat movie

Just one reason of many, I'm sure: Borat film tricked poor village actors. Excerpt:

"Mr Tudorache, a deeply religious grandfather who lost his arm in an accident, was one of those who feels most humiliated. For one scene, a rubber sex toy in the shape of a fist was attached to the stump of his missing arm - but he had no idea what it was.

Only when The Mail on Sunday visited him did he find out. He said he was ashamed, confessing that he only agreed to be filmed because he hoped to top up his £70-a-month salary - although in the end he was paid just £3.

He invited us into his humble home and brought out the best food and drink his family had. Visibly disturbed, he said shakily: 'Someone from the council said these Americans need a man with no arm for some scenes. I said yes but I never imagined the whole country, or even the whole world, will see me in the cinemas ridiculed in this way. This is disgusting.'"

The media seem to be getting a kick out of pretending to debate the question "is this groundbreaking cinema or just over-the-top offensive profiteering?" To me, at least, it's clearly the latter, and I have no reason to spend money on it.