Life In a Day weaves together moments of joy and sadness, frivolity and struggle, plainness and great beauty into a wonderful fabric of the human experience.  It at once shows the ways in which the routines of our days are shared across cultures and landscapes (we wake, we clean up, we eat, we interact, we travel, we love, we argue, we sleep), but also the stark contrasts of wealthy and poor, privileged and oppressed, healthy and unhealthy, troubled and care-free.

There are only a few “characters” we see multiple times throughout the day -- a man bicycling around the world, a family struggling with cancer -- but the amazing editing and soundtrack create a story arc grounded not in personality or plot twist, but in the experience of having 24 hours pass and all of the amazing (or mundane) things that can happen in that time.  It’s a masterpiece that will perhaps seem quaint in a few decades, but that could not have been possible even 5 or 10 years ago.

Life In a Day is inspiring and moving.  Best of all, it’s real.

Here, you can start watching it right now:

www.youtube.com/watch?v=JaFVr_cJJIY

Scalene is a dark thriller that tells a story of a mother, her son, and the son’s caretaker as they interact around some events that change their lives significantly.  The film shows the perspectives of each of the three characters using a combination of linear (forward and reverse) and non-linear story-telling, a technique that certainly keeps things interesting and always a bit unsettling.

The movie was filmed in Richmond, and so as a resident it was also “fun” to try to pick out the locations and backdrops along the way – various scenes in the City building, various restaurants, Glen Miller Park, etc.  I’ve even been pulled over by one of the Richmond Police Department officers who makes an appearance in the film, but I don’t think that qualifies me for an on-screen credit.

The story itself is intriguing to watch unfold, despite the darkness of the subject matter – mental disability, sexual assault, unhealthy and co-dependent relationships, and so on.  All three primary cast members hold their own in the 95-minute piece; Margo Martindale’s “Janice” fluctuated between evoking sympathy for her plight and making your skin crawl with her mania; Hanna Hall’s “Paige” brought strength, complex emotion and a grounding presence on screen; Adam Scarimbolo’s “Jakob” was convincing and, despite having few spoken lines, full of personality and nuance.

There were scenes in Scalene when the pacing felt a little slow, and a few occasions where the plot seemed a bit contrived, but as a whole it was a very tightly made film.  Zack Parker has clearly built on each of his past filmmaking experiences to make Scalene; the editing was excellent – especially impressive given the multiple combined story-telling techniques – and the sound production and score were superbly done. Parker has enjoyed his identity as an emerging independent filmmaker, but he clearly strives for a quality of work normally only seen in much bigger budget productions.

From following Zack’s social media updates along the journey of making the film I only know a little bit about what what it took, but it’s enough to realize that between fundraising, coordinating production, directing, editing, marketing and distributing (and I’m sure much more), Mr. Parker is the model of a entrepreneurial film artist who can take an idea and then do whatever it takes to make it a reality.  It takes a lot of hard work to make any kind of film that doesn’t have serious flaws noticeable to the average viewer; Parker has put in that hard work and more.  In Scalene I think he has a film that stands on its own, and that will hopefully also serve as a stepping stone to even more great projects.

You can buy Scalene online from Along the Tracks Productions.

I was only scheduled to give one presentation (“How to talk, or not talk, to your clients about Perl”) but after hearing some of the opening remarks at the conference that spent too much time and energy, IMHO, declaring that “Perl is not dead!” I signed up to give a new talk about possibilities for re-framing that sentiment.

You can view a video of the talk, or you can view my slides [PDF].

1) Apparently, all you have to do to throw off the facial recognition software that protects us from identity theft or worse, is smile:

The Indiana Bureau of Motor Vehicles is restricting glasses, hats, scarves — and even smiles — in driver’s license photographs. The new rules imposed last month were deemed necessary so that facial recognition software can spot fraudulent license applications, said BMV spokesman Dennis Rosebrough.

And then he had the gall to spin it as an improvement, since it would be horrible to admit that humans had done a better job:

The new technology represents an advancement of what the BMV already was doing, Rosebrough said. BMV employees always have looked at the old photo of a person to see if it looked like the person seeking a new license.

FAIL.

2) I was at a local video store yesterday, trying to rent a video using Anna Lisa’s account. I gave the cashier her phone number and name, and he said he’d have to call her to verify that it was okay for me to rent on her account. When she didn’t pick up, I offered to call her on my cell phone (in case she wasn’t picking up the call from an unknown number), and the cashier said, “okay, yeah, just ask her if it’s okay and then you can tell me what she said.”

FAIL.

Here’s an interview PBS did with Goodman about her arrest, including video from the scene:

You can view highlights from the event, which was sponsored by ProgressiveWayneCounty.org, in this YouTube video:

Perhaps you’ll join us for our next potluck?

That’s probably why I can’t stop laughing at this:

So I’m glad that someone out there is having fun imagining what the headlines will be on the day when the whole Internet crashes and all online data is lost. I can just hear Tony Snow saying that “we deeply regret that a backup of the Internet does not exist at this time…we had always meant to get around to making one.”

What would it mean for your life?

Thanks to the folks at PhilQuinnForCouncil.com for linking here so prominently on the site. Of course, as much as I like and admire Phil, please know that I have not (nor do I plan to) endorsed any local political candidates here. I do wish them all the best in fulfilling the promise of the democratic process.

If you haven’t already, you can head on over to GetWellJoe.com, a site I set up for Joe Augustin after he was assaulted earlier this week. The technical details are mundane compared to what Joe is going through, but it was a strange experience going from scratch to a full-blown weblog with hundreds of visitors and comments pouring in in a matter of an hour or two. Thanks to all the people who are holding Joe up now and keeping each other posted on his progress.

In a little bit, I’m heading out to IU East to help unveil the preview and website for the new documentary being produced here, 1:47. I’m at Summersault right now working with my team on the final prep for actually making the new site live, so you can check that out shortly. I haven’t gotten to do as much lately with video production as I would like, so it’s at least rewarding to be peripherally involved in a project where some really great production work is being done.

Have a good weekend.